See Michelle Laugh: Not a Fast Reader


Vintage illustrations with cheeky captions? My kind of humor.

Rules of Attraction by Simone Elkeles

To start things off, I will just go ahead and label Simone Elkeles' latest (and most outstanding) YA novel Rules of Attraction as grade A quality bookcrack. When I explained this phenomenon to the hubby he said: "so you liked it and now you're craving more, but it just doesn't have any nutritional value?" Exactly so.

Rules of Attraction starts off with a bang: readers of Perfect Chemistry will immediately recognize Carlos as Alex's hot-headed, thrill-seeking younger brother who is ready and eager to make his mark. After losing his job and falling into trouble with a gang in Mexico, Carlos suddenly finds himself in the white-bread, upper-class high school in Boulder, Colorado and it's the last place he ever wanted to be. But Carlos is ready to make the best of things: he's happy to spend his days flirting with co-eds while bunking with his brother at the university until a search at school reveals a stash of drugs in his locker. With the threat of juvie hanging over his head, Carlos is forced to attend an after-school program for at-risk youth and agrees - under duress - to move in with one of Alex's old college professors in hopes of helping him to 'straighten' out.

But wait. There's more. *rubs hands together deviously*

Kiara Westford loves her family, her best friend, the great outdoors, and most of all the vintage car she is restoring. But she doesn't exactly love her shy, good girl persona. For her senior year, she's decided to step out of her shell where step number one is to volunteer to show a new student around Flatiron High. Who turns out to be none other than too-cool-for-you Carlos Fuentes. The two mix about as well as oil and water; wherein Carlos leaves Kiara eternally frustrated and maybe both a bit amused after each exchange. But just when she's decided to wash her hands of this hunky bad-boy for good, Kiara discovers that her professor father has decided to invite Carlos to live with them after his most recent brush with the law. Oh boy.

Undeniably, Rules of Attraction was a page-turner. I am a sucker for the good girl/bad boy scenario and although I was nervous it wouldn't be played out as well as in Perfect Chemistry, I was in for a pleasant surprise with Carlos and Kiara. Their seemingly simple story could easily have come across as campy and predictable but nothing of the sort occurs - Simone Elkeles is extremely talented at what she does. Her dialogue is snappy and engaging, her pranks perfect, and her characters! Her characters are utterly unforgettable. Both are believable as teens from vastly different worlds, struggling to understand each other. Kiara especially is made of some tough stuff. Having been setup as a shy wallflower, she could have easily been dominated by Carlos' larger than life personality - but no, Kiara holds her own, giving as good as she gets in an inspiring, girl-power kinda way. And the attraction between these two? Sizzling. Scorching. Have a fan ready. Like I said, it's some good bookcrack.

And I just can't finish without mentioning this truly striking cover. It has got to be one of my most favorite of the year in fact. The barely contained movement and the stillness of passion are just so lovely. And kissing in the rain? Sa-woon baby. What makes it even more special is that it captures a real-live moment from the novel itself! How astounding (and refreshing) is that?!

series reading order (sorta):
~ Perfect Chemistry - my review
~ Rules of Attraction

Because Everyone Loves a Second Opinion:
Angieville review 
A Good Addiction review
La Femme Readers review
Sharon Loves Books and Cats review
The YA YA YAs review

book source: ARC provided by the publisher, Bloomsbury

Veronica Who?

Up until a couple of days ago that would have been my response anytime someone mentioned their love of the now off-air quirky television show Veronica Mars.
Somehow, perhaps due that comfy little rock I was living under, I managed to never even have caught a glimpse or peek of a single episode of the phenomenon that is known as Veronica Mars. But as almost any blogger can attest, it's an unusual week when I don't come across at least one reference to that iconic TV show, inevitably leaving me scratching my head or trying to puzzle through just what I was missing out on.

Until two days ago, that is.

On my usual blogsphere rounds, I stopped by GreenBeanTeenQueen's site for a visit when she happened to mention a Veronica Mars re-watch hosted by a couple of bloggers and she casually added you could watch the episodes online for free. Hmmm... Well, I figured, now I have no excuse. Since I was looking at a free evening, I settled in to at least watch the first episode to finally see for myself what all the fuss was about. Three hours and as many episodes later, I can honestly say that that is some seriously addictive awesome stuff. With a side of caustic sass that I could never resist.

So now I'm sorta cursing my little comfy rock for shielding me from this unusual teenage detective for so many years, but I've seen the light: I am proud to be the newest convert in what can only be described as a dedicated and devoted following. But that's all I can say about Veronica's acerbic yet intelligent wit for now - I've got some serious watching and catching up to do.

The River Kings' Road by Liane Merciel

At a very young age my older brother handed me The Sword of Shannara by Terry Brooks and I fell in love. Up to that point I had been stuck with such light, kiddy books as The Baby Sitters Club or Encyclopedia Brown - never knowing about this whole other, magical world. But when I stepped into the pages that epic fantasy, I was completely and utterly lost. And although I no longer name Brooks as my favorite author, I still thank him (and his books) for introducing me to the magical world of epic fantasy. He unavoidably led me to Tolkien - for which I am forever grateful - and is actually one of the main reasons I have never been able to control myself when presented with any sort of sweeping fantasy saga since. Which is why I had high hopes and was immediately rewarded with a bit of bookish nostalgia upon opening Liane Merciel's epic fantasy debut The River Kings' Road - I was getting to step back into my favorite genre.

For generations the provinces of Oakharn and Langmyr have been at war. Separated by the river and years of death and mistrust, a tenuous peace has finally been established between the two regions - but all that changes when a small Oakharn town, Willowfield, and its inhabitants are decimated during the visit from a feudal lord, Sir Galefrid of Langmyr, visiting on a mission of peace. Only a knight in service to Sir Galefrid, Brys Tarnell, and Galefrid's infant son, and heir, Winston survive the tragedy of Willowfield. Understanding the need to take the baby to safety, Brys convinces a young, unmarried mother named Odosse to care for the baby on their perilous journey. But there are many who would see the child and its protectors dead - men who would go so far as to engage the help of the Thorns, a group of sadistic and foreign sorcerers more deadly than entire armies.

Those familiar with the epic fantasy genre will immediately fall into step with Liane Merciel's solid worldbuilding. All the time-honored types are present: the inns, mercenaries, archery contests, evil mages, knights, ladies and bandits aplenty. What sets it apart however is how this common backdrop is sprinkled throughout with a most impressive collection of decidedly human characters. Oh, don't mistake me: the bad guys are really quite nasty and there are a few truly 'good' guys, but even those characters are not sickeningly so. But what I found most interesting is what I like to call her 'gray' characters': men like Brys Tarnell, a moral-less sellsword by all accounts who again and again shows courage and cunning beyond an ordinary knighthood with a past full of intriguing secrets. And then there's the man who would be king, Leferic, Sir Galefrid's younger, bookish brother: upon first glance he is truly despicable but with closer inspection, you find his motives to be pure even if his methods questionable. And that's just scratching the surface: there are religious knights who cling desperately to their vows even when faced with heart-breaking challenges and simple townsfolk who fairly come to life in their variances. There was much to enjoy about The River Kings' Road - even if it was paced rather slowly, I understand the need for adequate plot development in something this large scale and I will eagerly anticipate Merciel's next novel of Ithelas. I'm all for reminding myself why I started reading fantasy books in the first place.

Because Everyone Likes a Second Opinion: 

book source: provided by the publisher, Gallery Books

YA books that NEED to be made into movies

Recently I came across a post from the always funny Sarah Rees Brennan wherein she lists the YA books she would like to see turned into a movie. I am so with her on multiple choices - I think the steampunky Leviathan would be a smash hit as well as Kelley Armstrong's Darkest Powers series - I very much want to see an unlikely hero with mountains of potential like Derek running around fighting evil. And of course it got me to thinking about those books I would dearly love to see brought to life too. Here's my short-list - many more could be on the list, but these are the ones I feel should already be in production.

Beauty by Robin McKinkley I am constantly telling people to read this book. It is by far my favorite Beauty and the Beast retelling, with some truly magical characters. Everyone loves a happily ever after and this book delivers on so many levels. It should be made in a movie immediately. Like right now.
Life as We Knew It by Susan Beth Pfeffer Whoa, talk about your dystopian nightmare. I'm not sure how Hollywood would pull of this diary style narrative, but there is more than enough material to make a truly engrossing flick. And special effects? They would blow your mind.
Fire by Kristin Cashore I for one am dying to see the colorful variety of Cashore's monsters come to life. From Fire's hair, to the killer dragons, to all the little monster-creatures roaming around, Fire wold be visually astounding. And I want to watch Brigand striding purposefully around the Dells. That, I would pay good money to see.

Of course, one book that I cannot wait to see made into a movie is actually really and truly going to happen! Thanks to Angie, I heard that Meg Rosoff's dystopian book of awesome How I Live Now will be headed to the big screen. I will be waiting in line for that one.

What YA books would you like to see turned into a movie?

Something About You by Julie James

To say that Julie James has an astonishingly - and refreshingly - irreverent sense of humor would be a gross understatement. Just take James' dedication in Something About You for example (yes, I read those beginning pages; you're missing out if you don't):
To the jokers in the room next to me at the JW Marriott San Francisco -- As you kept me awake with your antics; this is the book I wrote in my head.
Since I opened Something About You knowing it was about a woman who inadvertently winds up next door to an enthusiastically *vocal* couple at a hotel, I may have choked back a laugh or two. And then quickly turned the pages to get started.

U.S. District Attorney Cameron Lynde has earned a vacation. Even if said vacation happens to take place at a swanky hotel mere miles from her home for a little R&R, so much the better. So it might be a gross understatement to say that she was mildly displeased when the couple next door began to engage in some seriously verbal, hot-and-heavy nighttime activities at two in the morning while she was trying for some deserved rest. After calling the hotel desk to complain, Cameron peeks out her door to watch the culprits make the walk of shame but only glimpses a man making his solitary way out. Alone. Fully expecting to finally fall blissfully asleep, Cameron discovers her night is about to get a little bit worse when the room next door winds up becoming a crime scene and the lead investigator is none other than her old nemesis FBI Agent Jack Pallas. AKA Agent Hottie. Cameron and Jack share what I will lightly call 'an unpleasant bit of professional history' wherein Jack made some choice comments about Cameron's ability as a lawyer and in the fallout, was transferred to the Middle of Nowhere. Finally back in the big city and on his first assignment, Jack is not remotely pleased to discover that Cameron is his only eye (err...ear) witness in such an important case.

Upon finishing Something About You, I gave a little sigh. It was a happy sigh because I had such fun with Cameron and Jack - highly loyal and competent people both. Their constant circling was non-stop amusing and of course, Julie James had to go and throw in some truly dynamic secondary characters who were experts at keeping the comedy rolling. That said (*deep breath*), for some strange reason I found Something About You to be lacking in what I call the Unique Sparkle Department (I'm trademarking that BTW) which was oh so present in James' previous two books. One reason could be that the novel lies in the 'romantic suspense' genre: there is an obvious villain, whom Jack and Cameron spend a fair amount of time simply trying to keep her safe from. Which in the end doesn't allow for as much time for their devilishly witty exchanges, darn it.

James' element of humor is what had me previously stepping out of my genre comfort zone to pick up her first two romance novels, Practice Makes Perfect and Just the Sexiest Man Alive in the first place. Thanks to recommendations from The Book Smugglers and Angie, I found both to be laugh-out-loud, is-it-possible-to-die-from-giggling-so-much? funny. And also reports that the 'romance' side of the novels was more left to the imagination than not. I'm one of those readers who like to be left wondering about some things... Which is not to say Something About You wasn't a very good book. It was. It just wasn't exceptionally good - but I will still tell people to read it. In fact, I'm telling you right now: Go Read Something About You. Anytime you get me laughing out loud with your dedication alone Ms. James, I'm going to recommend your book.

Because Everyone Loves a Second Opinion:
Angieville review
The Book Smugglers review
Dear Author review
Janicu's Book Blog review
Smart Bitches Trashy Books review
Tempting Persephone review

book source: my local library

Interview with Julia Hoban

Today I am pleased to host the lovely author of Willow, Julia Hoban. After tearing through Willow's poignant story in record time, I found myself thinking about it for days (and days) afterwards, resulting in a number of questions. Happily, Julia was kind enough to satisfy my lingering curiosity with some truly insightful answers and I thought I'd share those with you today!

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Welcome Julia! Okay, so both Willow’s parents were professors of Anthropology while Guy and Willow herself are no slackers when it comes to the subject. Where did you come up with all the background information for such sites/cultures? Are you a fan yourself or did you just do mountains of research?

That’s the only part of the book I didn’t research! I had to take an Anthropology class in college as a humanities requirement, and I’m sorry to say that it was tremendously boring! I remember one particularly warm day when the windows were closed and the heating was going full blast, I could barely keep my eyes open. Then all of a sudden the Professor said something about the first mirrors, and I sat bolt upright. I was wide awake in an instant, completely fascinated, I had never thought about the origin of mirrors before, but what an idea! I knew right then that I had to write about that somewhere, and when I started Willow, I decided it would be something Willow would talk about.

One of the other anthropological references in Willow is to Tristes Tropiques, an absolutely remarkable book that she and Guy discuss, in fact, I’d say they start to fall in love the minute they start to talk about TT. But as much as I love TT, it took me quite a while to decide to use that as the work that would be the bond between them. I assumed that most anthropology texts would not be familiar to my readers, but I wanted to refer to a book that would resonate in some way. Now Tristes Tropiques is the only book (to the best of my knowledge) that has never had its title changed for translation. The title is Tristes Tropiques in French, and when it was originally published in this country, that title was kept. It was thought to be too evocative, too provocative, to change. The literal translation “Sad Tropics” just doesn’t have the same melancholy beauty. I have to say I agree with the publishers, and even if you’ve never heard of the book, and even if you’ve never had more than high school French, I believe the title does have a certain resonance, that it does conjure up a certain mood.

I have to admit, I was one of those readers who had never heard about Tristes Tropiques. But now I find I have this sudden desire to go track it down... 

While we're on the subject, by any chance is Willow's copy of Bulfinch's Mythology a slight nod to that classic text Mythology by Edith Hamilton? I have a myriad of high school and college memories from that book alone.

It’s funny that you should ask that! The entire time I was working on Willow I kept going back and forth between the Bulfinch and the Hamilton! I went with the Bulfinch in the end for two reasons: 1) I’m fortunate enough to have a rather beautiful edition on my shelf, and 2) although I also have memories of Edith Hamilton from high school, Bulfinch was my introduction to the Greek myths.

What was your inspiration for writing Willow in the first place? And was it always meant to be a love story?

Well, I’ve said this many times, so I hope that if your readers have seen other interviews with me, they’ll be kind and put up with a familiar answer. I wanted to write a book for all of us with self destructive urges, a book that would take one person from a place of self harm to a place of healing, and in doing so possibly make people question their own damaging behaviors. I chose to make Willow a cutter because it is a very dramatic and obvious form of self injury, but it could just as easily have been a book about overeating or doing drugs, or even something as innocent as watching too much television. You may be surprised to hear this, but when I was doing the research for Willow, I found that many of the treatment centers that dealt with cutting also dealt with internet addiction. My point is that even seemingly acceptable behaviors can be less than healthy. As for it always being a love story? Absolutely!! In fact at one point it had the working title: Willow: A Love Story, Sort Of …. That title didn’t last very long though!

As a YA author do you feel that you have a responsibility to write about such powerful – and highly sensitive - issues such as cutting or anorexia or how to deal with profound grief?


Well, no, I think that YA authors, all authors should write about whatever they choose to. However, I think when a YA author does write about certain subjects, then they do have a responsibility to deal with them in ways that are not incumbent on authors in other genres. Let’s talk about the sex in Willow for instance. If I had been writing a sex scene in an adult novel, I wouldn’t have felt the need to explicitly refer to birth control -- as I did in Willow. I would sooner cut off my arm than write a scene where two teens didn’t practice safe sex, unless that was the entire point of the scene, unless I was specifically writing to show the consequences of not practicing safe sex. I had quite a heated argument with another YA author about this by the way, they were in complete disagreement with me.

Were there any particular scenes that were especially painful for you to write? How did you, as an author, go about working through such traumatic moments in Willow’s story?


There was a scene that was tremendously difficult for me to write, and you may be surprised to hear what that scene was. I didn’t have any problem with the cutting scenes, or the more graphic parts of the novel, but the scene where Willow finally let’s go and starts to genuinely grieve? That was enormously hard for me. As a writer, as cliché as it sounds, the only way out is through, you just have to keep going and come out on the other side, only then can you take a look at what you’ve written and see if it holds up. It’s fatal to edit in the middle of the process.

Is there a particular book (or movie for that matter) you wish you had written?


There are a million movies and books I’d wish I’d written! I’ll just mention a few here: Sunset Boulevard, the best film dialogue in history, rent it immediately! Amadeus, the play NOT the movie, Tess of the D’urbervilles, Enoch Soames, a short story by Max Beerbohm, The Glass Menagerie, The Sound and the Fury --- I could die happy if I’d written that. One Hundred Years of Solitude, that’s another one I’d sell my soul to have written… You really don’t want to get me started on this, because I could go on forever!

What books do you find yourself recommending over and over and over again?


The Railway Children is something I recommend to everyone, Tess, The Glass Menagerie…. Interestingly enough, although I think The Sound and the Fury is one of the greatest books ever written, I don’t find myself recommending it that often, although a masterpiece, it’s definitely not the right read for everyone.

Isn't that the truth?! I haven't picked up The Sound and the Fury after it gave me no end of headaches in high school, but I'm sure I'd have a much better experience reading it now.


So many books come out each year, but are there any in particular that you are really looking forward to reading? 

Invisible Things by Jenny Davidson, it’s the sequel to The Explosionist, and comes out in November.

Are you currently working on another project? Can you tell us anything about it? Please?

I am working on another project, and I’m afraid that I have to give the same stock answer that I’ve given other interviewers, I’m WAY too superstitious to talk about it until it’s finished. However, I can add something a little new this time --- I’m 75% done, and will be able to talk about it soon! I hope you’ll invite me back to discuss it!

Thanks so much for taking the time to stop by today Julia. It was a pleasure to have you!

Well, thank you for having me! It’s a real privilege to be able to discuss my work, and I’m honored that you were interested in hearing more about the thoughts and processes that went into writing Willow.


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A quick heads-up and some mighty good news for all you UK readers: Just this month, Willow was re-released in the UK complete with a shiny new cover and title: Scarred. Trust me when I say it's one you won't want to miss!

Willow by Julia Hoban

I've said it before, but I'm not a huge fan of contemporary YA books. For some reason I find many books in this genre to be trite and surprisingly 'dumbed down' for its intended audience. Teens are not stupid. On the contrary, they always know when they are being preached at or when a story has been slapped together.

Thankfully, there are a select few contemporary YA novels that I do find myself recommending over and over again. These are the startling, unexpected finds that speak to the reader on a variety of issues and levels. Books that contain teens experiencing such honesty of emotion that I can't help but be immediately drawn to. There's not many on that elite list, but today I'd like to add another book to it.

Willow doesn't cut because she is stressed about school. She doesn't cut herself because she's worried about being too fat, too tall, too... too... Willow is a cutter because she was the driver in a disastrous car accident that killed her anthropology professor parents seven months ago. Hiding behind a wall of grief and guilt that threatens to overtake her constantly, Willow now finds refuge in the pain she causes herself while effectively cutting off the entire world outside. She's become a shadow of her former happy self. One who merely floats through school, has no friends, and who cannot even hold a semi-normal conversation with her older brother David who she now lives with. But then she meets Guy while working at the university library and everything is...different. Unlike anyone Willow has ever met, Guy is not only interested in her beloved yet now forgotten subject of anthropology but he is interested in her. And her scars.

I'll go ahead and start by saying that Willow was in no way an easy read. Willow's story is stark and unflinchingly honest in every respect. But at the same time, I found it to be gentle, private, and highly personal. Willow was actually quite beautiful in its starkness. What has to be the genius of Julia Hoban's startling narrative is the lack of sensationalism ascribed to Willow's cutting disorder. Throughout the entire novel, I never once felt like a voyeur ogling a wreck on the side of the road or like I was reading a how-to handbook. Willow's quiet and comfortably open conversations with Guy revealed such a profound, contained grief that I was helpless to do anything but silently urge her forward. Because ultimately, Willow is not a book about cutting. It's a book about relationships and the healing capabilities of love. It's a fabulous read and one I've already started to recommend.

*****
Be sure to check back Friday for a special interview with the marvy author of Willow, Julia Hoban!!

Because Everyone Loves a Second Opinion:
Angieville review 
Book Addiction review
Persnickety Snark review
Presenting Lenore review & interview
The Story Siren review
yaReads review

book source: provided by the publicist